If your camera has Live View, this will show the effect of your choice in real time, before you capture the image.• If you have the option, shoot in RAW (NEF) – this captures a much broader range of tones in the scene than you'd get with a JPEG, giving you far more scope for colour-correcting any white balance anomalies on the computer afterwards. possibilities are endless. Get FREE Photoshop Actions, Lightroom Presets, and Overlays. If in doubt, check the owner's manual and set the white balance manually at the location, especially if the quality of the light isn't changing (like on partly cloudy days). While the white snow isn’t exactly white, this image is in much better shape SOOC than the others. If you are shooting in manual and using the custom white balance feature on your camera here are some of my MUST DO’s for great exposure and color in the snow: 1. You can also use it with snow: point the camera at a clean patch of snow to create the new white balance setting. Recalibrate the camera’s white balance for different light sources in different scenes if you want it to truly be accurate. a lot of green grass, white snow, blue sea or sky.) The best way to get started is taking some test shots. To further complicate matters, cameras often read snow as being slightly blue in tone, therefore the color tone of your images can also be off. See how we can help your photography stand out while saving you time. In this last image , I take it to the next level with expodisc. How-To: Snow and Winter Photography. As a follow up to my original post on the MCP Actions blog called “Winter White Photography: How to Get Amazing Portraits in the Snow”, this next post provides you with some strategies and tips on exposure, white balance, and lighting when the white stuff is on the ground. Snow picks up great color. If you are using the auto settings for white balance and/or exposure, there’s not much to think about. They come in both neutral and portrait (which is warmer in tone). If you are shooting in manual and using the custom white balance feature on your camera here are some of my MUST DO’s for great exposure and color in the snow: 1. I bought mine to fit my 70-200, and it “fits” all of the others just by me holding it flat against them. With +1 stop compensation, the exposure is better, but … Shame on anyone who tries to sell someone the adapters or more than one disc! @Alis, that is a great tip. The white card reading balanced the scene's mixed lighting quite well. Try scrolling over the “K” setting, as you see in the … This will usually give a warmer result as it is designed to compensate for the slightly blue white color of flash lighting. I use them both. I can tweak the white in post if I want to, and I have better exposure and detail on my subject. However, after you ski for a little bit, your eyes and your brain will adjust for the color and the snow should look white again. I read Peterson's advice which is to set the WB to cloudy plus 3. With snow photography, the chance for lens flares is higher. Because you are setting your white balance and the camera is not playing any part, the color cast doesn’t play a part when white balance is being set (which is possible when using a gray card or AWB). What situations to avoid, and what situations provide ideal opportunities for shooting great looking winter videos. I hope you find these tips and tricks helpful for shooting out in the snow. More accurate exposure. I’ll have a list of my “must have’s” and some great tips and tricks as well! Here's how to deal with them by choosing the right white balance setting…. Frame up the shot including the background as you want to shoot it. MCP Actions™ helps professional and hobbyist photographers improve their photography. All of these scenarios can result in a color cast in your photo, and you’ll want to take charge of the white balance. Many photographers believe that advanced photo editing software such as Adobe Photoshop and Adobe Lightroom can correct and/or enhance exposure and white balance in post-production, and it’s true – they can. Something went wrong. To use this technique, you need a piece of card stock that’s either neutral gray or absolute white (not eggshell white, sand white, or any other close-but-not-perfect white). You can see that the snow is bluish in tone and the subject is underexposed. Free Video Tutorials on Photography and Editing, How to Get White Balance and Exposure When Photographing in the Snow, Free Photoshop Actions, Lightroom Presets, and Editing Tools, “Winter White Photography: How to Get Amazing Portraits in the Snow”, ← Winter White Photography: How to Get Amazing Portraits in the Snow, Giveaway: 2 Kelly Moore Camera Bags for Men and Women! I’m looking forward to tomorrow’s.~ingridHi, Jody! However, if you try to resolve all of the blue, your snow could suddenly have a yellow cast to it, which is obviously not ideal. How often have you returned home, uploaded images and thought, ‘Hmm, I am sure that sunset was more golden’? So if you walked into a room lit entirely by candles, in order to get a nice white balance you would set your Kelvin temperature very low on the scale (2000K). The wrong white balance will make or break your image and can throw off the entire tone of your photograph. It is essential to understand white balance because shooting with the incorrect setting can ruin your photos. Take an in-camera meter reading and either continue to hold the shutter button down half way to keep your camera set at those values or just remember what they are. Hi there! The K setting in your white balance settings is arguably the most important white balance setting to understand, as you’ll have a hard time using Gels and correcting mixed lighting without understanding kelvins. I can see the snow reflecting in his eyes, and his face is evenly light. If you do not intend to do any processing in the computer but want to get everything right in the camera, I suggest that you set the white balance to the setting for 'flash' instead of the automatic setting. If you have any questions about this post, please leave a comment in the blog post. All Rights Reserved. any thoughts or suggestions are greatly appreciated. If you don’t plan on adjusting your white balance and prefer to get everything right in-camera, use the “flash” setting. Again, these are generalized settings, and while they may often be accurate enough for your needs, shooting in snow is one environment in which you want to get your white balance as accurate as possible before clicking the shutter release:  Especially when shooting portraits. A sunset over snow can turn it rosy red. 2. With it selected, hold a white card in front of the lens, press the shutter, and the camera will lock in the colour temperature of the light reflected from the card to create a new white balance setting. If you're shooting indoors in candle light, start with 2000K. Having said that, I use the expodisc WHEREVER I shoot, not just in snow. Contains mostly one color (e.g. For instance, incandescent will create a blue cast, which can be very effective for early morning shots or photos in rain or snow – but do remember that everything in the scene will have a blue cast, including any people. (9300K) When I used the White Balance Selector to choose a spot on the sunlit snow, on average the reading came out to 5200K. Color—it all seems so simple.We take a picture, and the color looks great… if we have the perfect white balance. This is how some people compensate for shooting in the snow. Is illuminated by multiple light sources with different color temperatures. So one can not use snow as a white card to get a true colors. Maris is a professional photographer located in the Twin Cities area. 2. For snow, avoid a blue cast by using the shade setting. Specializing in outdoor portraiture, Maris is known for her intimate style and timeless images. This second part held a lot of good information and I loved the examples shown. You can visit her website and find her on Facebook. All images are shot in manual mode and I did not use ANY flash. Couldn’t you just custom WB using the snow? So if the camera senses cool light, it compensates by making the colors slightly warmer. I too tend to favor the neutral just a little more than the warm. Note: MAX, HERO6/7/8 Black has the following additional White Balance settings: Just like snow makes auto exposure settings inaccurate, that reflective white often doesn’t actually turn out white in the image. It may take a few seconds for the camera to perceive the shot, but it will this color setting until the next white balance … While we can all get excited about a fresh snow fall, most of us don’t get too excited about blue, underexposed images. 4. In the second image, I left the camera white balance setting on AWB and then overexposed the shot 2 stops. Hopefully you can really see the difference! The best part of this image fully edited is that you cannot tell if it was shot on a white background in a studio or outdoors. 3. Another way to get accurate colour is to select the colour temperature yourself, using the colour temp K option. Direct sunlight sets the colour temperature to 5000K, which is typical of midday sun, so this will work well on a mild, sunny winter's day. The AWB balance setting for shade should help compensate for the camera seeing “blue”, but in this case, it’s not enough. - and I need to set the white balance. Thanks! © 2019 Photoshop Actions and Lightroom Presets | MCP Actions™. Having said that, it’s always a good idea to try to shoot the image as accurately as possible. By - December 29, 2007. Now, activate the white balance on the object by pressing the button. I never leave home without mine. Progress! It's also ideal for indoor scenes with mixed lighting, such as a room with daylight streaming through a window and fluorescent lighting in the ceiling. Want us to help you? Here I still have the camera set to shade WB, and then over exposed at +1 stops. What do people use for their white-balance settings when taking shots of snow on nice sunny days. I have found that the expodisc by Expo Imaging is by far my favorite tool on the market for precise white balance. One of the most important settings when shooting snowy landscapes is your white balance. When you're happy with your choice, press OK to save the setting and go back to the shooting menu. @Becki, you could do exactly as you describe. In my third and last post on photographing in the snow, I will walk you through some great tips and tricks for caring for and using your equipment outside during the winter weather. Let’s get started. First off, I am going to talk about some generalized approaches to exposure and white balance when shooting in any environment (but particularly snow) and I’ll offer some suggestions for more accurate results: Disclaimer: All of the images included in this post are unedited in order to illustrate my points. Thank you! I’d say the results are “so-so”, and we can get more accurate color and balance with a little more work. Get MCP Actions™ delivered to your inbox. Shadows are blue and purple on sunny days. Many of us use an in-camera meter to find the proper “exposure” for an image when shooting. Easy In-Camera Meter Tip for Correct Exposure: What you will have essentially done is manipulate the camera into exposing for the subject instead of the whole frame, and your background should be slightly over-exposed and your subject properly exposed. With it selected, hold a white card in front of the lens, press the shutter, and the camera will lock in the colour temperature of the light reflected from the card to create a new white balance setting. Below is an example of a series of shots in the snow to illustrate how effectively an expodisc can work. Try using the cloudy white balance setting or manually set your white balance around 6,500 kelvin. White Balance Fine-Tuning. Just know that the AWB setting does have some limitations. In other words I don’t use White Balance to correct color casts, I use it to ADD color casts! No need to hassle with white balance every time light changes when going in slope, coming to hill, surrounding trees are green, trees without leaves, sun is low, sun is high (even with cloudy day) etc. Scroll down until you see PRE setting (below) and highlight that. I agree with MiG. Again, THANKS !! Setting the White Balance when needed is the key to great color photos. Preset manual is also known as the 'white card' setting. Capturing candid moments with Malin Mörner, You can now download a PDF version of this Hints & Tips article to read offline and print. I set the white balance by using the expodisc before shooting the image in manual mode at correct exposure. The other thing that can be a bit tricky for our automatic cameras is getting the white balance right in the snow. You could also use a white piece of paper or a grey card. For overcast conditions, select around 6000-6500K, while shade is in the region of 7500K. MCP™ Actions provides interactive online training classes and free Photoshop video tutorials. Much quicker than getting out the gray card for changes in location! 5. Consider this photo, for example: The camera’s white balance is set for daylight, which makes the small, warm lights glow red. This is so much help. Stay tuned for my last post, which again will cover caring for and using your camera equipment in the elements. It stands for Preset and is Nikon’s terminology for custom white balance. Secondly, a lens hood helps the lens fight against the cold. Incandescent and fluorescent neutralise the slightly yellow or green colour cast that you get from household bulbs, while flash brings a touch of reddish warmth to take the edge off the flash's bright light. You can buy reference cards made just for this purpose in many camera stores for less than $20. As a tip, it is best to buy the biggest one to fit your biggest lens–you can always just hold it flat against a smaller mm lens. Thank you! And in warm light, it makes the colors slightly cooler. When “correct” white balance is set, a naturally white surface or material will, in fact, appear to be white. You can see that things are more in balance and while still a little detail is lost, not nearly as much. While this is generally an effective way to go about things, there are some limitations to this approach, especially when you have the following situations present: Remember that an in-camera meter will assess the entire scene, and provide an exposure reading that includes the entire background that the camera “sees” in the frame. If you want your snow to be white you have to overexpose because your meter wants everything to be grey. The colors on the fine-tuning axes are relative, not absolute. There are very few “needed” purchases in life,but there are many that provide a lot of value for the cost, and in my opinion, an expodisc is one of them! Inside your camera’s menu find White Balance on the shooting menu options. Here, that white balance is the closest to color renditions in real … It works amazingly well for me too.Thank you for taking the time to share all of this with us, Maris. In the first shot below, I used the in-camera auto white balance setting (AWB) and shot it at accurate exposure in manual mode. You can play around with the tone and mood of an image by selecting an 'inaccurate' white balance setting. Our innovative Photoshop Actions and Lightroom Presets make photo editing and retouching quick and easy. Click here to learn how to use an expodisc. Outdoors, the colour temperature will usually be anything from 5000K (normal daylight) to 9000K (dark shade). For the latest specials, free download alerts and great tips and tutorials for photographers, sign up for our weekly newsletter below. The white balance (WB) setting always has an Auto white balance (AWB) option which automatically senses the color temperature of the light and attempts to neutralize it. You can also fine tune your white balance setting to compensate for variations in the colour of the light source or to deliberately introduce a colour cast into the scene. Dec 26, 2010 I have a new a55 and a new 70300 G lens - thanks Santa! The problem with winter photography is the cold; it affects your camera like it would any object you bring from a warm place to a cold place. This can be very frustrating for many people, especially if they don’t understand why they keep getting the same results (underexposed subject). There is lots of snow outside and we have not had sunshine for several days. I use the Expo disc also. Just wondering if it was a needed purchase? You can see that my white background is pretty white (just a tinge of color which I don’t mind), and the exposure on my subject is great. White balance -snow? Select any of the white-balance options (apart from preset and colour temperature), then press  and use the multi-selector to fine-tune the white balance on the blue (B)-amber (A) axis and on the green (G)-magenta (M) axis. It takes a while to get comfortable using it (and your camera MUST have a manual setting for white balance to be able to use it), but once you get the hang of it, it’s a great and simple tool. I am contemplating buying an Expodisc but wondering what the difference would be from just custom loading an image of the plain snow (in the light source you are using for the shot) versus using the Expodisc filter. I did this on my Canon SD700 point-and-shoot. , SUBSCRIBE TO OUR MAILING LIST FOR NEWS, SPECIAL OFFERS & IMPORTANT UPDATES. While I use both, I have a slight preference for the neutral disc. If you are using an expodisc, you should recalibrate the camera’s white balance using the disc whenever your light source or direction of light has changed in order to maximize its effectiveness. Go To http://www.creativephotoshop.co.uk for more free tips. Around 8000K is a good starting point for snow; if it's still too blue, go a bit higher, while if it's looking a touch pink, dial it down slightly. Blog / Guest Bloggers / How to Get White Balance and Exposure When Photographing in the Snow. Cloudy adds warmth to the light on overcast days, while shade introduces a slight pinky-orange tone to eliminate the blue cast that shadows take on in shade – it can also improve outdoor portraits, creating more natural skin tones, even in direct sun. For example, moving the cursor to B (blue) when a “warm” setting such as J Incandescent is selected will make photographs slightly “colder” but will not actually make them blue. This comes out the same with an $5,000 camera or a camera phone. Warm, golden, and just like it's supposed to look. Colour temperatures vary from warm at the low values, to blue and cold at the high values, with white (neutral) in the middle. Re-evaluate your exposure as you move from place to place – even in the same location. Exposure. Both articles have been great and filled with useful information. This looks just right to me. I was wondering if you have any posts on food photography and/or editing of food photos? You can see that while the white snow (background) is nice and white, the overexposure is too much and detail and color in the subject is lost. For most users, we recommend keeping the White Balance setting on auto, as it does a great job of automatically adjusting the white balance to best suit the conditions. Just like when shooting outdoors in warmer weather, the exposure and white balance are both affected by the directness, angle and warmth of the ambient light. Auto White Balance (right) produced a pleasing, balanced image, but the PRE (or white card) photo (left) is warmer, with whiter whites and an overall faithful rendition of the scene's colors. Not only is this an immense time saver when editing, but the overall quality of your images will be better. Landscapes created at sunset or sunrise, snow and winter scenes, and those with night sky dominating lend themselves well to creative White Balance techniques. Every digital camera over $50 and even most camera phones provide this adjustment. I’ll be submitting a before and after blueprint for this image soon and you’ll be able to see how I use MCP Actions to take an accurately exposed and balanced image even further with some of Jodi’s great tools. For more consistently accurate white balance, use your camera’s Custom White Balance (CWB) options to ascertain the color of light in a given situation. Again, one thing to note is to make sure you decide which expodisc you want before making your purchase, as they have both a neutral and a “warm” disc. It uses a reading of the ambient (available) light for the scene, and calibrates the whites to white. More consistent white balance than AWB. Each of these elements is equally important, as one without the other brings an image out of balance, and they are all closely linked to one another. It is intended to compensate for bluish flash lighting, and can warm up your snow-filled image. Frame your shot so that most of the background is eliminated, and your subject fills most of the frame. I personally use RAW and PP system. Cloudy White Balance. This week Brandon goes into the wilderness to demonstrate techniques for shooting video in the snow. When shooting portraits in the snow, for example, the meter will often pick up too much light from the snow and then your subject will be underexposed. Please check your entries and try again. Or ‘this snow was much whiter’?. In this next image, I set the WB function to “shade”, and the camera meter is set at correct exposure (0). 3. Many cameras have fully customized white balance settings as well as particular settings for various light sources (bright sun, overcast, tungsten, etc).